Then Also Then 'Lyrics' 'Easy to Be Hard' by Three Dog Night. From musical 'Hair') 'Ebb Tide' by Righteous Brothers. 1965.Article: youtube oldies 60s rb music Thinking Youtube Oldies 60s Rb Music to Eat Weve got you covered. Golden Oldies Songs 50s 60s 70s Oldies Clasicos.RAPID CITY, S.D.
The Blossoms – That’s When the Tears StartThe Blossoms. The song – which riffs on a common girl-group theme of how other people, most likely killjoy parents, won't accept your love – was originally set to be the Ronettes' first single with Spector, before the producer decided to go with Be My Baby instead.4. The latter is the first song the group recorded with Spector after he signed them to Philles Records in 1963, and showcases the full force of his production: echo-laden drums, multi-layered instruments and a swooning brass motif that has been replicated many times, including on Dion’s Only You Know (also produced by Spector) and Jarvis Cocker’s cheeky steal Don’t Let Him Waste Your Time. Photograph: Allstar Collection/Sportsphoto Photograph: Sportsphoto/AllstarIs it blasphemous to pick a girl group playlist without including Be My Baby, for many people the greatest pop song ever released? Probably, but by sticking only to the classics there’s a danger of us overlooking some great music – in the Ronettes' case I Wonder, Walking in the Rain and Why Don’t They Let Us Fall in Love to name just three.
Many songs flirted with the fine line between obsessive love and abuse, and this Queens group – originally a girl group before Brenda Reid’s husband Herb Rooney joined – provide a great example. That song’s B-side, Bull Dog, hardly showcases the same level of sophistication – it is, after all, a song about a scary dog who disapproves of a blossoming relationship – but the handclaps, punchy piano chords and cheerleader chorus chants make this a storming dancefloor number for any girl group playlist.Talking of darker territory, there are few things darker than domestic abuse, which the genre has always been linked with, from Phil Spector’s treatment of Ronnie Spector to The Crystal’s He Hit Me (and It Felt Like a Kiss). Only to Other People is a ballad that sets out its gloomy stall with three descending chords before unveiling a tale familiar to any lonely teenager: “I’ve been told that dreams come true, and handsome boys fall in love with you,” goes the opening line, before such youthful fantasies are quashed: “But I’ve only seen it happen in the movies, only in fairytales, only in the books I’ve read … and only to other people.” The feeling that real love is something out of the protagonist’s reach is a theme Morrissey would pick up and run with on songs such as How Soon Is Now?, so it’s no surprise that the Smiths covered the band's equally brilliant I Want a Boy for My Birthday during one of their first rehearsals (although only a teasing 30 seconds of that rough recording exists on the web).The Shangri Las weren’t just leaders of the pack, they stood out from it too, adding a dark undercurrent to the typically adolescent girl group themes of kisses and crushes on songs like I Can Never Go Home Anymore.
As an aside, I have fond memories of watching Ryan Jarman from the Cribs “interpret” this song during the band’s early gigs, often while catastrophically drunk, treading on broken bottles and heckling his own crowd. Written before the swinging 60s had taken hold, Gerry Goffin and Carole King's song managed to be both taboo and prescient (as the decade progressed, the lyrics seemed increasingly to question its liberal mores, something King acknowledged herself when she recorded it for Tapestry as a wiser woman). On Will You Love Me Tomorrow, however, pre-marital sex controversially took centre stage, although it’s not the thrill of the act that this classic is concerned with, but the cold, emotional fall-out that can arrive the morning after. The Shirelles – Will You Love Me TomorrowGirl group songs were often more concerned with love and longing than white-hot lust.
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The hook here – “somebody pleeeease help me explain” – is especially sublime, while the music itself shows how the girl group sound would adapt to more expansive styles and survive for decades to come. On this record, Chicago’s Lovelites are doing all three, stressing out – although admittedly over a laidback groove – about how to explain to their folks that they’ve got pregnant and the guy responsible has upped and left. Lovelites – How Can I Tell My Mom and DadParents are the unlikely stars of many girl group songs, with the vocalist either hiding things from them, running away from them or simply hoping not to disappoint them.
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